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Floraleda Sacchi

contemporary harpist
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RECORDINGS

LA LOCURA ESPAÑOLA

Record Details

Artist
Floraleda Sacchi, Manuel Tévar, Atlantida Orchestra
Release
2027

Record Links

  • Album (USBkey Audio+Video)

La Locura Española is an artistic project celebrating 10th years anniversary of Atlantida Chamber Orchestra through a program including great Spanish music masterpieces and rarities.

The program was presented live in four concerts between November and December 2025 starting from Auditorio National in Madrid to end at Mozarteum Stiftung Großer Saal in Salzburg, where the concert was recorded live audio and video.

La Locura Española project is directed by Manuel Tévar, director and founder of Atlantida Orchestra and includes several soloist: Floraleda Sacchi (Harp), Irene Cés (Clarinet), Silvia Di Falco (Soprano), Sandra Landini (Piano), Pedro Jesús Gómez (Guitar).

The program includes famous pieces like the “Concerto de Aranjuez” by Joaquin Rodrigo for Guitar and orchestra, and some really famous Pieces from Zarzuelas for Soprano and orchestra or solo orchestra by Francisco Alonso and Federico Moreno Torroba.

On the other hand Harp, Piano and Clarinet present some lesser known gems recorded for the first time such as: “Tema y variations, Ciclo Plateresco op. 100” for Harp and Strings and “Rapsodia Sinfonica op. 66” for piano and Strings both by Joaquin Turina, and “El Molinero de Subiza n. 7” by Cristobal Oudrid for Clarinet and Orchestra.

The world premiere of a piece by Constancio Hernáez “Luz de Plata” for Soprano and Orchestra complete this remarkable project.

Release is schedule on June 11, 2026

 

AUDIO RELEASE

Spotify | Apple Music | Amazon Music | Youtube Music

VIDEO RELEASE

 

CREDITS
Recorded Live at Großer Saal, Stiftung Mozarteum, Salzburg on December 7th, 2025

Recording, Mix and Mastering (Audio+Video) Director: Thomas Schitter

Graphic Project: Petrushka Sainz

Ⓟ & © 2026 Amadeus Arte

 

DOWNLOAD

Download Booklet

 

SOME MORE INFO ABOUT HARP PIECE

Theme and Variations, Ciclo Plateresco, Op. 100, presents a classical idiom, but with subtle hints of what is known as the “Plateresque style” of composer Joaquín Turina (1882-1949).

Composed for harp and piano in 1945 (and later adapted for harp and strings with numerous changes in the harp part), it is one of the composer’s last works before his death.

Dedicated to his grandaughter Mari Loli Higueras, Turina created the piece at her request. Premiered at the Círculo Medina in Madrid in 1945, Turina was unable to perform it on the piano due to health problems and was replaced by Enrique Aroca.

The work, with several gradually transforming themes, includes a farruca and passages recalling the guitar sound. Theme and Variations is part of the “Plateresque Cycle” which includes Turina’s last works.

Plateresque is a highly ornate architectural style that flourished in Spain in the 15th and 16th centuries imitating silverwork (in Spanish “plata”), hence the name Plateresque.
This style was soon adopted not only in Spain, but also in the Spanish colonies in South America and in many religious buildings in Mexico.
The Plateresque style derives from the Italian Renaissance, Spanish Gothic architecture, and the Mudejar style.

Other works from the Plateresque Cycle by Jaquin Turina include:
Linterna Magina Op. 101 and Fantasia Cinematografica en forma de Rondo Op. 103.

Floraleda Sacchi released an sheet music edition that can be purchased here>>>

Phisical album including a 32GB USBkey with HD audio, Video and lot of additional material can be purchased here >>>

 

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